Hermybear2002 Posts: 56 Joined: Fri 9:13 pm
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#Youtube amplitube 3 Patch#
I am hoping someone at IK sees the need, especially when your competitors are doing it and add it to a patch in the future. These two small things may not seem important, but I can pretty much bet that if you are someone who plays live, in front of people, having access these two abilities is paramount. When you are on stage under dark light and you have a few seconds between songs to tune, you do not have time to run over to your laptop and start messing the your mouse. It will not open by assigning a midi CC# to it. The tuner you provide is pretty awesome, except you have to click on the icon for it to open. This allows me to control delay, stereo pan or anything else that requires global temporal adjusting between effects & external gear.Ī CC# triggered TUNER. Now I may be able to emulate them if they are the same as the one(s) sent from the iRig Stomp via my BCR2000 but I can't do this live.Īsign a CC# to control your tap tempo. So, first.the biggest roadblock.no midi CC trigger for tempo.
#Youtube amplitube 3 mac#
There are two really main issues that have prevented me from using AT programs live in the past, though with the sounds coming out of my Mac now, I am going to have to figure a work-around other than using my DAW. And it limits your capabilities, not having access to certain parameters in real time. You can't do this if you need to break between songs to 'reset' tempo or tune. These elements must all work in concert (no pun intended) in order to achieve the desired goal (screaming happy fans). That said, when you get on stage, you have elements that are necessary to the performance of your trade. I think I can stand as an advocate for the LIVE concept. I have played in front of people for 30 years. It is not my intent to offend anyone, but if I do, oh well. This is very prevalent in the mass marketing of your other products that are PRODUCTION based.įirst, let's define "LIVE" versus Production.
#Youtube amplitube 3 software#
The rope access technicians are trained to use a dual rope system where each technician is attached to a working line and a safety, backup line at all times while performing work directly on the surface of the sculpture.įor additional park information, please visit Mount Rushmore National Memorial’s official website at call (605) 574-2523.After all the glowing things I had so say about the truly incredible sound of AT5 while you have raised the sonic bar, you are continuing to lower the implementation bar for people who prefer to use your software for live applications. The Mount Rushmore preservation team is composed of a wide variety of specialists from across park divisions. "The installation of updated fiber optic line will provide enhanced communication within the rock block monitoring system." “The focus of their certification and training is on safely and efficiently moving around on the face of the sculpture," stated Acting Superintendent Kammerer. "The Mount Rushmore Sculpture Preservation Team is the only certified industrial rope access team in the National Park Service. The Preservation Team members will be replacing fiber optic line which will enhance communication from the monitors. The Presidential Trail is closed because of unsafe conditions of persistent snow and ice. Members of the preservation team will be visible on the faces and the mountain. All facilities will continue to be fully operational and open to visitors during this time. The local company is providing rock block monitoring technical assistance.
![youtube amplitube 3 youtube amplitube 3](https://i.ytimg.com/vi/0sdeiCU9zsI/maxresdefault.jpg)
![youtube amplitube 3 youtube amplitube 3](https://i.ytimg.com/vi/CDs5-_aQG9E/maxresdefault.jpg)
The National Park Service is in the middle of an up to 5 year contract with RESPEC engineering. Keystone, South Dakota – Friday, February 17th, members of the Mount Rushmore National Memorial Preservation Team and engineers from RESPEC Engineering from Rapid City, South Dakota, will be performing monitor maintenance on the face of the sculpture.